Notes on the Poetics of Erasure

hablemos en blanco
hablemos perdiendo los signos

repitamos el primer y último acto
de ser devueltos
en la cópula mínima
del polvo
en la luz

Hanni Ossott

On a visit to the 2016 Prix Canson show at New York’s Drawing Center, I came across the work of finalist Bethany Collins. She presented two series addressing the obliteration of the written word. The first consisted of practically illegible paragraphs, printed on paper, then torn and shredded except for certain isolated words; the other, a set of loose pages from the Southern Review, in which she had blacked out parts of the text (sometimes all of it) with ink. This confluence of literary and graphic subtraction, framed within a visual art exhibition, led me for the first time to interrogate the operation of erasing as an aesthetics and a poetics.

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